Italian composer (Rome, 1989).
Freezing movements and going always closer, we reduce the distance between us and the acoustic phenomena to the point at which we can discover something previously hidden. We discover new degrees of relation between two points, between two gestures, two movements. The instrument becomes a prosthesis, part of our own body, and resonates, pulses. We lose our own margins. And everything starts to breathe, to live. Finally discovering the life inside every sound source.